7 ease nt. SRE eR Frsruary 28, 1874.] BHLLES AND BRHAUN. a -“ Then she is a natural actress! She could make her fortune on the stage!” ““Do you think so?” ‘All her poses are full of grace, and so ex- pressive! You have secured a treasure in her, Miss Burke. I should call her a genius in that line.” “She is so pretty!” laughed Clara, ‘‘and her shyness goes for dramatic effect.” She scene was not without its effect on the sensitive mind of the young girl. When she took off her splendid robes, in her own room, laying them carefully aside, the murmurs of admiration she had overheard yet rung in her ears, She had not been without the con- sciousness of having deserved the encomiums lavished on her, “T might make my fortune on the stage,” she repeated, quoting the gentleman’s remark. “What if I were to try? I wish I could see a play once, and then I could judge if I were fit for it!” She resolved to take an opportunity of con- sulting Mrs. Burke. Why should she not es- cape from the sordid thraldom of a sewing- girl’s life? The idea dwelt in her mind, and the next day she ventured to ask her friend if that career would not be a good one for her. “Alas, my poor girl,” Mrs. Burke replied, “you know nothing about the life or labors of an actress. Dress and lights do not make them. A girl who would go on the stage has to prepare herself by long and careful study.” “ Tndeed?” “She must possess not only grace and beauty, but high cultivation. She must be able to take the parts given her; and they often require breadth of understanding, as well as deep study. You have never even read a drama?” “Never, ma’am; but I could study very hard, if I had any one to teach me.” “You would need the foundation of an ex- cellent education.” ‘ ‘And I am so ignorant!” sighed the girl, bitterly. “Then you must have a genius for the drama; and must enter on a course of rigorous and toilsome preparation—perhaps for years. And very few debutantes, after all, make their way into public favor.” “Ts it possible?” “T have seen many fail, and none entirely successful. I had an idea of becoming an actress once, myself!” “You, madam!” “When I was very young; after—after I had made a mistake that threatened to blight my life.” “What was that?” asked the girl, lifting her eyes in surprise to her mistress. ‘What kind of a mistake?” “Tecan not tell you. You must not ask me. I have told no one.” “Excuse me, ma’am; I thought you meant a mistake in choosing the stage as a profes- sion.” “Tt was then I thought of it; but I soon found I had not strength or perseverance to go through with the severe labors necessary. I was at school then.” 5 “Oh, if I could go to school!” “You may, one of these days!” “Perhaps I am too old. The other pupils would laugh at me, and then I should lose courage. If I could study, and have teachers, like young ladies I have heard of.” Much more disconrse there was on this sub- ject; and the girl, whose instincts had begun to rebel against her circumstances, received lessons of good counsel. She acknowledged that it was better to be content with her hum- ble lot. But why should she not wish to rise’ above it? CHAPTER XIV. _ THE BIRTH-NIGHT PARTY, THE evening of the birth-night came. All the preparations were complete. It was de- termined to have the tableaux at the close of the entertainment, just before supper; and to present them in an arbor large enough for the scene, in the grounds, * It would be such a novelty to have them out of doors. The evening was mild, and the whole space was illuminated by lights hung in the trees. The green drapery would be a scenic background, and it was easy to have as rich side-scenes of flowers as could be desired. The carpenter made the stage, and when it was decorated it looked a floral paradise. The walks, lawns and avenues were all arranged for promenades and dancing. Alida was not called down to join the com- pany during the first part of the evening. She saw Mrs. Burke, magnificent as the hostess, in lavender moire antique trimmed with flounces of white point appliquee, dia- monds and drooping plume, and a Pompadour waist trimmed with point to match. She saw Clara in a plain, but exquisitely- trimmed Organdy muslin, going down to re- ceive and welcome the guests before it was time for her to dress for the tableaux. A feeling of sadness came over the lonely seamstress as she sat by the window, watching the carriages rolling to and fro, and the cloud- wrapped ladies as they thronged the entrance. She heard the porter announce them at the door of the drawing-room, She felt discontented, she hardly knew why. Never before had she wished to mingle in such a scene of gayety. But after she had been in- vited to take part in an artistic entertainment, after she had had a taste of the “sensation ” youth and beauty create, she was in a measure spoiled for her own life. “T wish I could go away!” she murmured to herself, ‘I wish I had never come here! I should like to go back to my little room in the attic!” As she wiped away the starting tears, Adele came to help her dress for the first tableaux in which she was to appear. Clara received her at the foot of the back, stairs, and led her to the ground. The director took her to the place she was to occupy, and put the different figures of the group in their positions. i ; The lights were so disposed as to give the best effect ; the veranda and lawns being quite in shadow. They were densely crowded with spectators. There was a murmur of irrepressible admi- ration, when the curtain drew up and the scene was exhibited. Alida was the most prominent female figure. Leon was gazing at her with the soul of love in his eyes. The girl felt her cheeks burn as she met that impassioned gaze. But she maintained her po- sition. When the curtain descended—bravoes rent the air. “Who is she?” she heard from several voices. “ An angel !” “An opera girl, from her self-possession,” said another. “Mrs, Burke brought her forward: they have made a secret of the affair !” others re- marked. But no one suspected her of low origin, or ig- norance of society. The girl noticed that with a throb of pride. In the next scene Lady Gwendoline -was seated, with Alfred kneeling at her feet, his guitar having dropped from his hands 4, His eyes, as before, were fastened on her face. The lady looked down, a consciousness of love in her own breast giving a tender shy- ness to her expression, Other figures were in the background. This scene was duly applauded, and so were others that intervened before that of Lady Gwendoline’s bridal, the last in which Alida was to appear, 7 She looked radiant in beauty, Leon held her hand, and he pressed it gently several times. This picture was twice called for repetition after the curtain had fallen. Alida was glad to escape. She vanished be- hind the arbor, in.the midst of a thicket of evergreen, where there was a rustic seat, on which “she sunk, striving to collect her thoughts. The screen of leaves was parted, the next mo- ment, and Leon Burke stood by her side. “Why do you run away from us? fairest Gwendoline !” he cried, playfully. ‘‘ Indeed I cannot permit you. I will nof lose you ! Come out of this dark place.” ““No, Mr. Leon; I must go up to my room.” “While all the company is singing your praises, and asking who you are ?” ‘ “They would not praise me if they knew who I am!” the girl exclaimed, bitterly. ‘I was wrong to consent to appear.” “You have charmed everybody.” “T have stepped out of my place. Go in, Mr. Leon, and tell the company that the lady who figured as a bride just now is only your mother’s sewing-girl. See what scorn they will show ! How the ladies will laugh, and the gentlemen swear they were taken in! Oh, it was cruel to ask me to do this !” “ Alida,” cried the young man, seriously, “there is one of them, and you know it, who does not think the less of you! Alida, you know Tlove you! I lve you!” . : ‘This is worse than all the rest !” exclaimed the girl, struggling to snatch her hand from his. But Leon held it fast, and passed his arm round her waist, drawing her close to his breast. f “And you love me, Alida ; you caanot deny it! Isaw it in your face in the tableau—in your eyes—in your blush! I see it now in every look, even while you shrink from me. You have known my love this long time—and your heart is mine in return.” “Mr. Leon, let me go! you are mistaken, ‘You insult me by such language !” Her cheeks flamed; her eyes flashed with in- dignation as she released herself from his em- brace. “You must not say so, Alida! You shall not. Tlove you—we love each other ; and you shall be my wife !” He had released her, and he faced her as she stood, with determination in every feature. “You know that cannot be !” she answered. “Tt can be; it shall be! I will marry none but you, Alida! I resolved on that long ago.” He overcame her refusal by clasping her once more in his arms, and pressing his lips again and again to hers. : Suddenly she disenaged herself, and he started back. Quick footsteps were heard, and that close to the group of evergreens. : “Farewell for the present, my beauty— my bride !” whispered Leon. ‘‘I will tell you all my plans to-morrow.” He vanished among the foliage. The next moment the leaves were parted on the other side, and Alida saw the intruder. It was Charlotte Le Brun ! (To be continued.) It is a good and safe rule to sojourn in every place as if you meant to spend your life there, never omitting an opportunity of doing a kindness, or speaking a true word, or making a friend. Seeds thus sown by the wayside often bring forth an abundant harvest. You might so spend your summer among the people that they and their descendants should be bet- ter and happier through time and eternity for your works and your example, COQUETTED. BY CRAPE MYRTLE, And is it thus that we must sever ' The bonds affection wrought? And must I lose this pearl of light, My soul in faith hath sought? The charming fashion of thy face Bound, like a apells my heart, And, now that fickle fancy tires, You say that we must part. The stars in yonder Orient Seemed not more true than thee; But, ah! what treacherous changes Sweep o’er life’s checkered sea! False lips, and fair! as numerous As Valambrosa’s leaves, Are the vows you make, and lightly break, And fond, true hearts deceive. The rich wine glowed on either cheek, And the brightness of thy eye, Bespoke what faithless memory, Your lips did not sony Ah! brightening eye! ah! tender lip! I deemed them fond and true, But clouds will sometimes quench the light . ” From heaven's fairest blue. And now, farewell; I will not pine, O’er wafted sweets of old; My manhood craveth constancy, As misers love their gold. For all thy faithless woman’s troth, My full, free pardon’s granted; For love’s young dream is buried deep, And my soul is disenchanted. A CARPET KNIGHT. BY HENRI MONTCALM, ISS MILDRED HEATHCOTE and Mr. Ray Harding stood side by side looking down the Devil’s Fall. The scene was one of awful grandeur, yet just then neither felt its spell; the lady was petulant, and her lover nonchalant. Yesterday he had asked her to marry him, and she had hesitated, saying “I will tell you to-morrow,” knowing very well that her answer could be nothing but ‘“ Yes.” Just now he had repeated the question, but in that cool, high and mighty way of his, which piqued her, though she knew he meant nothing by it. So she still coquetted and hesitated. “Pooh !” said Miss Mildred, pouting pret- tily, ‘‘you men talk eloquently enough of de- votion and adoration, but you never do any- thing to prove it. For my part I wish we were back in the good old days of chivalry, when a knight, if he loved a lady, rode bravely into the lists and challenged the world in her name. But now-a-days you are all carpet knights. ‘You can bow and waltz and talk nonsense, but you never fight. The word heroism should be marked obsolete in the dictionaries,” Ray stood with folded arms, listening with an amused smile to the very absurd rhodomon- tade. Then suddenly becoming grave, he said, “Tt is not so, Mildred. I am no hero, nor do I pretend to a superfluous amount of courage. Yet for your sake, if need be, I could face death a thousand times; ay, and suffer death a thousand times too.” She looked up at him admiringly, half fright- ened by his vehemence; yet still she foolishly went on: : “And would you be my own true knight and do whatever I bade you?” “ Anything reasonable.” “Why do you say ‘anything reasonable? ” “ Because I would do nothing unreasonable.” “But I would not ask for anything so very unreasonable, of course. I would not wish you to die for me, you know; only what the com- monest knightly gallantry would require. For instance, I might express a wish for that bunch of wild-flowers,” and she pointed down the rock to a little venturesome tuft of blossoms growing but a few feet from them, yet in such a position that mortal man could hardly have reached them and lived. “So you might express a wish for the moon,” he answered, rather curtly. “But if I asked for them, would you not get them?” - “No,” and he spoke now quite impatiently. The lady’s dark eyes flashed with sudden deter- mination. ‘“‘Ray,” she cried, imperiously, “please get me those flowers. I have taken quite a fancy for them.” “Excuse me, but—I decline.” She regarded him angrily a moment, then, drawing herself up haughtily, she said, ‘‘ Mr. Harding, last night you did me the honor to make 'me an offer of marriage.” “T did, and just now I repeated it.” “Well, excuse me, but—I decline,” and thus quoting his own words, she laughed loud and scornfully, and turned away toward the path which led back to the road.” “Very well,” he said, biting his lips in smothered wrath; and they walked back to the hotel together, talking polite commonplace as indifferently as though they had met but yes- terday. That evening he sought her again, but she was icily cold. At nine o’clock he went to his room, cursing himself for his folly in fancying so heartless a woman as Mildred Heathcote, and hastily packing his valise, departed by the late train, vowing never to see her again. And she, the next morning, found, alas! too late, that she had put her own happiness away from her forever. It took a whole year of vague unrest and constant wandering up and down the earth to convince Ray Harding that, after all, Mildred Heathcote was not any the less lovable for her capricious humors, and that, whether she was or not, he could not possibly get through life without her. ' It was a full year, I say, before he arrived at this conclusion, and three months more before he could so far overcome his pride as to seek her once more, . But one beautiful September morning saw him get off the train at the little country vil- lage, where Mr, Heathcote’s country seat was, and hasten off down the road toward the house, He found Mildred’s father, with whom he was but slightly acquainted, asleep on the front piazza. The old gentleman awoke, ill- natured of course, and the visitor was inform- ed, rather shortly, that Miss Heathcote was at the city, and not expected down until the five o’clock train. In no very complacent humor he returned to the village tavern, where he found a passably good dinner, and managed to doze away a good portion of the afternoon. At a little past four o’clock, unable to keep still any longer, he sauntered out and strolled off down the road to where it crossed the rail- road track. With no particular object in view he turned aside here and walked slowly and thoughtfully along the railroad, abstractedly counting the sleepers as he walked, and won- dering how Mildred would receive him in the evening. About a mile from the village, at the point where he now was, the railroad and carriage- road crosséd a narrow river by bridges sepa- rate, though side by side. Beyond, the two roads divided, the turnpike turning off to the left and crossing the railroad again where the latter made a broad curve a mile further on. So much is necessary that the reader may un- derstand what followed. As Ray advanced across the covered rail- road bridge he suddenly became aware that the timbers at a certain place suddenly yielded to and trembled violently beneath his tread. The movement was so different from that ordina- rily produced by stepping from one division of a bridge to the other, that he was prompted to stoop down and examine the path. Great heavens! what fiend had been at work here? There were bits of chips and traces of sawdust lying about; and as his eyes became more accustomed to the darkness, he discovered a narrow fissure in the beam on either side, made partly by an ax, through which he caught a glimpse of the river foaming and _ boiling below. Strange to say, while at the instant his mind grasped the whole truth that the down train from the city must pass this very spot in a few minutes, and be hurled far down into the depths below, yet there came to him no thought of the hundreds of human beings upon whose destruction some wretch had calculated. One idea alone possessed his mind. One person only he thought of; she who was all the world to him, Mildred Heathcote, was on the train, which, even now, was rushing to its fate. All these thoughts passed through his mind in far less time than it has taken to record them. But there was no time to stand and think. He must save her! He rushed franti- cally along the bridge, unmindful of its fearful swayiug to and fro, How to stop the train in time, that was the question. He might hasten down the track; but could he get far enough to enable the train to break up before reaching the fatal spot? By the pike-road, however, it was but a short three-quarters of a mile to the crossing. A faint whistle came to his ears from away down in the valley, and a glance across the way decided him. There was a young man slowly crossing the other bridge on horseback. Ray ran down the embankment and across the narrow field between, and with one bound clearing the low stone wall, he confronted the astonished horseman, ‘“Dismount—quick!” he gasped. “The deuce! And what for, pray?’ de- manded the other, making a pass to move on. Ray, wild with excitement and dread, grasped the bridle and reined up the horse so violently as to cause tho rider to slide from his seat. ‘‘ The bridge has been cut and I must stop the train,” he shouted, and without more words leaped into the saddle, struck the horse heavily with his clenched hand, and galloped away. Three quarters of a mile. Only a question of two or three minutes at his present rate of speed;—but would that be soon enough? He strained his eyes to watch the crossing far down the road. No sign of any train yet, thank Heaven! But hark! A whistle louder than before and a bell faintly sounding in the distance. Oh, God! and not half a mile passed yet. Now, good horse, do all you know. You two, you and Ray Harding shall save the life of the loveliest girl in the country to-night— ay, and of many a lovely girl besides, and of parents and brothers too. Only a few rods now to the crossing. Ray became more sanguine; his dread grew less and less. Yet even now the express might come rushing out of the woods which were so near the road, and flash across his path. There came a shriek of the locomotive still closer at hand, and then a trace of smoke above the trees, and the rattle of the rails. Now, good horse, you must get there. A man stood at the crossing waving a red flag for him to keep back. The train was close upon him then, But he heeded not the warn- ing. The man advanced to bar his passage, but he dashed upon him and forced him aside, and riding straight upon the track reined in his foaming horse directly across the rails! He shouted and waved his hat wildly at the great iron monster rushing toward him and now not a furlong away. The signal man too, who now comprehended something of the state of affairs, advanced to his side and held up the flag. The whistle shrieked again, the engine was reversed, the brakes applied, and slowly the great mass lessened its speed. The horse reared and plunged as the train approached, and turning in spite of the rider’s firm hand, dashed away down theroad; but not until Ray had slipped from his seat. He moved slowly