¥ ~ a BA Nadal eal Saad ae (No. 5 a ‘No.5 | y = Popular Dime Hand-Books BEADLE AND ADAMS, PUBLISHERS, NEW YORK. Each volume 100 12mo. pages, sent post-paid on receipt of price—ten cents each : STANDARD SCHOOL SERIES. DIME SPEAKERS. DIME DIALOGUES. 1. Dime American Speaker. Dime Dialogues Number One. 2. Dime National Speaker, Dime Dialogues Number Two. — 3. Dime Patriotic Speaker. Dime Dialogues Number Three, Dime Comic Speaker. Dime Dialogues Number Four, Dime Elocutionist, Dime Dialogues Number Five. Dime Humorous Speaker. Dime Dialogues Number Six. Dime Standard Speaker. Dime Dialogues Number Seven, Dime Stump Speaker. Dime Dialogues Number Hight. Dime Juvenile Speaker, Dime Dialogues Number Nine, Dime Spread-eagle Speaker. Dime Dialogues Number Ten. . Dime Debater and Chairman’s Guide, | Dime Dialogues Number Eleven. . Dime Exhibition Speaker, Dime Dialogues Number Twelve, . Dime School Speaker. Dime Dialogues Number Thirteen, . Dime Ludicrous Speaker, Dime Dialogues Number Fourteen. . Carl Pretzel’s Komikal Speaker, Dime Dialogues Number Fifteen. . Dime Youth’s Speaker, Dime Dialogues Number Sixteen, . Dime Eloquent Speaker, Dime Dialogues Number Seventeen. . Dime Hail Columbia Speaker, Dime Dialogues Number Eighteen, 19. Dime Serio-Comic Speaker, Dime Dialogues Number Nineteen. YOUNG PEOPLE’S SERIES. 1—DIME GENTS’ LETTER-WRITER—Embracing Forms, Models, Suggestion* |, and Rules for the use of all classes, on all occasions. 2—DIME BOOK OF ETIQUETTE—For Ladies and Gentlemen; being a Guide t¢ True Gentility and Good-Breeding, and a Directory. to the Usages of society. 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Giving rules of Etiquette, hints on Private Parties, toilettes for the Ball-room, etc. | 9—BOOK OF 100 GAMES—Ont-door and In-door SUMMER GAMES for Tourists \ and Families in the Country, Picnics, etc., comprising 100 Games, Forteits, etc’ 10—DIME CHESS INSTRUCTOR—A complete hand-book of instruction, giving the entertaining mysteries of this most tineresting and fascinating of games. 11—DIME BOOK OF CROQUET—A complete guide to the game, with the latest rules, diagrams, Croquet Dictionary, Parlor Croquet, etc. 12—DIME BOOK OF BEAUTY—A delightful book, full of interesting informa- tion. It deserves a place in the hands of every one who would be beautiful, DIME ROBINSON CRUSOE—In large octavo, double columns, illustrated. Hand-Books of Games.| Family Hand-Books. DIME BASE-BALL PLAYER FOR 1877.| 1. DIME COOK BOOK. — DIME BOOK OF CROQUET. . DIME RECIPE BOOK. : DIME GUIDE TO SWIMMING. . DIME HOUSEKEEPER’S GUIDE. DIME @RICKET AND FOOTBALL. . DIME FAMILY PHYSICIAN. DIME BOOK OF PEDESTRIANISM. . DIME DRESSMAKING AND MIL- DIME RIDING AND DRIVING. LINERY, DIME YACHTING AND ROWING. 2 The above books are sold by Newsdealers everywhere, or will be sent, posi- aid, to any address, on receipt of price. 10 cents each. BEADLE & ADAMS. ublishers, 98 William Street, New York, ia SoMa ou eee = be ee Pek ot m Cow No. 5. 4 COLLECTION OF NEW AND POPULAR COMIC AND SENTIMENTAL SONGS. NEW YORE: BEADLE AND ADAMS, PUBLISHERS, 98 WILLIAM STREBT. Entered according to Act of Congress; in the year 1860, By IRWIN P. BEADEE & COo., fm the Clerk’s Office of the District Court of the United S.ates. > for the Southern Distriet of New York. 2 B. No. & BEADLE’S _.DIME SONG BOOK, Se : : No. 5b. When I saw Sweet Nellie FEiome. Copied by permission of Russert & ToLwaN, 192 Washington St., Boston, owners of the copyright. In the sky the bright stars glitter’d, On the grass the moonlight fell, Hush’d the sound of daylight bustle, Closed the pink-eyed Pimpernel. As adown the moss-grown wood path Where the cattle love to roam, From Aunt, Dinah’s quilting-party, I was seeing Nellie home. Corus.—In the sky the bright stars ghiterd, i On the grass the moonlight shone, From Aunt. Dinah’s quilting-party I was seeing Nellie-home. When the autumn tinged the green-wood, Turning all its leaves to gold, : fn the lawn by the elders shaded, I my love to. Nellie ‘told. On the Sr herpes led dome, How Tf blest the August evening, As we stood together gazing, When I saw sweet Sonic haiti, : In the sky, &c. White hairs mingled with my tresses, Furrows stealing on my brow, But a love smile cheers and blesses Life’s declining moments now. Matron in the snowy kerchief, Closer to my bosom come, Tell me, dost thou still remember When I saw thee, sweet Neliio home? In the sky, &c. s eee Fda offer Thee this FHiand- of Mine. Pd offer thee this.hand of mine. _ If could love thee less, But hearts’as warm and pure as thine Should never know distress. My fortune is too hard for thee, *T would chill thy dearest joys; Td rather weep to see thee free, Than win thee to destroy. Td offer thee, &. Pll leave thee in thy happiness As one too dear to love; As one I think on but to bless As wretchedly I rove ; And oh! when sorrow’s cup I drink All bitter though it be, How sweet t’will be for me to think It holds no drop for thee. I'd offer thee, &e. But now my dreams are sadly o’er, Fate bids them all depart, And T must leave my native shore In brokenness of heart; And oh dear one, when far from thee, Pll ne’er know joy again; I would not that one thought of me Should give thy bosom pain. Td offer thee, &c. Gum-Tree Canoe. Copied by permission of Russert, & Torman, 291 Washington St, Boston, owners of the copyright. On Tom bigbee river, so bright, I was born, In a hut made ob husks ob de tall yaller corn; An’ dar TI fust met wid my Jula so true, An’ I row’d her about in my Gum-tree canoe. CHORUS. Singing‘row away, row, O’er de waters so blue, Like a feather we'll float, In my Gum-tree canoe. All de day in de field de soft cotton I hoe, I tink of my Jula, an’ sing as T go; Oh, I catch her a bird wid a wing ob true blue, An’ at night sail her round in my Gum-tree canoe, Singing row away, row, &c. Wid my hands on de banjo, and toe on de oar, I sing to de sound ob de riber’s soft roar, While de stars dey look down on my Jula’so true, An’ dance in her eye'in my Gum-tree canoe. Singing row away, row, &c. But one night de stream bore us so far away, Dat we couldn’t cum-back, so we thought we'd jis stay, Oh, we spied a tall ship wid a flag ob true blue, af it took us in tow wid my Gum-tree canoe, Singing row away, row, &, , Comin’ thro’ the Rye Gin a body meet a body, Comin’ thro’ the rye ; Gin a body kiss a body, “Need a body ery? Ilka lassie has her laddie, Nane they say ha’eI; Yet a’ the lads they smile at me, And what the waur am I? Gin a body meet a body Comin’ frae the well, Gin a body kiss a body, Need a body tell? Ilka lassie has her laddie, Ne’er a ane ha’e I; : But a’ the lads they smile on me, And what the waur am 1? Gin a body meet.a body, _. Comin’ frae the town; Gin a body greet a body, Need a body frown ? Tika lassie has her laddie, Nane, they say, ha’e [; But a’ the lads they lo’e me weel, _ And. what the waur am I? Thou hast Wounded the Spirit. Thou hast wounded the spirit that loved thee, And cherished thine image for years ; Thou hast taught me at last to forget thee, In secret, in silence, and tears, As a young bird, when left by its mother Its earliest pinions to try, *Round the nest will still lingering hover, Ere its trembling wings can fly, Thus we’re taught in this cold world to smother Each feeling that once was so dear; Like that young bird, I'll seek to discover A home of affection elsewlhiere. Tho’ this heart may still cling to thee fondly, And dream of sweet memories past, Yet Hope, like the rainbow of summer, Gives a promise of Lethe at last. Still so Gently o’er me Stealing. Still so gently o’er me stealing, Mem’ry-will bring back the feeling Spite of all my grief, revealing Ah! no other e’er can warm me— Yet ne’er fear, I will not harm thee, No, false one, no! I love thee— Flere thee, false one, still. That I love thee, that I dearly love tnee still, Tho’ some other swain may charm thee, No! thou false one, no, no! I fondly love thee still, Ah! ne’er fear, I will not harm thee, Oxorvs-—Still so gently o'er me stealing, de. We Met by Chance: —_—_———s o-—__— When evening brings the twilight hour, I passa lonely spot, Where oft she comes to cull the flower, We call “ Forget-me-not.” She never whispers go, nor stay 5 She never whispers go, nor stay ; We met by chance, the usual’way, We met by chance, the usual way We met by chance, We mét by chance, “ We met by chance, the usual way. Once, how, I can not well divine, Unless by chance we kiss’d, I found her lips were close to: mine, Sol could not resist ; As neither whisper’d yea, nor nay, As neither whisper’d yea, nor nay, They met by chance, the usual way, They met by chance, the usual way, hey met by chance, They met by chance, ; They met by chance, the usual way. whe roses, whén the zephyrs woo, Impart what'they receive; They sigh and sip the balmy dew, But never whisper give. Our love is mutual, this we know, Our love is mutual, this we know, Though neither tells the other so, Though neither tells:the other so; Our loveis mutual, this we-know,: Though neither tells the other so. When the Swallows Homeward Fly. When the swallows homeward fly, When the roses scatter'd lie, When from neither hill or dale, Chaunts the silvery nightingale, CHORUS, In these woras my bleeding heart Would to thee its grief impart: Shall we ever meet again ? Parting! ah! parting, parting is pam, Parting! ab! parting, parting is pain, When the white swan southward roves, There to seek the orange groves, When the red tints of the west Pzove the sun has gone to rest, Cuorvs.—In these words, etc, O, poor heart! whate’er befall, There is rest for thee and all, That on earth which fades away, Comes again in bright array. CxHorvs.—In these words, etc, Wil! You Love Me then as Now. You have told me that you loved me, And your heart’s thought seenis to speak As you look on me so fondly, And the life-blood tints your cheek, May I trust that these warm feelings, Never wii! grow cold and strange, And you'll remain unalter’d In this weary world of change? When the shades of care and sorrow, > Dim my eyes and clcud my brow, And my spirit sinks within me— Will you love mo thezi as now? Though our youth may pass anclouded In a peaceful happy how, Yet as yearvon year ad vur.ces, Changes must upon vs conic, For the step will loose its lightuess, And the hair be chsaged to gray; Eyes once briglit give up thei: luster, And the hopes of south decay. When all these have passed upon me, And stern age ha touched my brow, Will the change fii 1 you unchanging? Will you love me then as now ? The Rose of Allendale. The morn was fair, the skies were «lear, No breath came o'er the sea, Where Mary left ber highland cot, And wandered torth with me; Though flowers deck’d the mountain's elde, And fragrance filled the vale, By far the sweetest flower there, Was the Rose of Allendale, Where'er I wander'’d, east or west, Thongh fate began to lower, A solace still was she to me, In sorrow’s lonely hour; When tempest lashed our gallant bark, And rent her shivering sail, One maiden form withstood the storm, ‘ "Twas the Rose of Allendale, And when my fevered lips were parch’g On Afric’s burning sand; fhe wiisper‘d hopes of happiness, And tales of distant land; My life had been a wilderness, Unblest by fortune’s gale, Had fate not link’d my lot with her's, The Rose of Allendale, 18 Meet Me by Moonlight. Meet me by moonlight alone, And then I wil tell you atale Must be told by the moonlight alone, In the grove at the end of the vale. You must promise to come, for I-said I would show the night-flowers their queen— Nay, turn not away thy sweet head, *Tis the loveliest ever was seen. Oh ! meet me by moonlight, alone, Daylight. may do for the gay, ' The thoughtless, the heartless, the free ; _ But there’s something about the moon’s ray, That is sweeter to you and to me, Oh! remember be sure to be there. For though dearly a moonlight I prize, T care not for all in the air, If I want the sweet light of your eyes. So meet, me by moonlight alone. — Thou art gone from my Gaze. Thou art gone from my gaze like a beautiful dream, And I seek thee in vain by the meadow and. stream, Oft I breath thy dear name to the winds tloating by, But thy sweet voice is mute to my bosom’s lone-sigh, In the stillness of night when the stars mildly shine, My heart fondly holds sweet communion with thine, For I fee] thou art near, and where’er I may be, That the spirit of love keeps a watch over me... 14 The ee Daugh- Cire ———_ —- ————— Not long ago in Vestminster there lived a rat-catcher’s daughter, And yetshe didn’t live in Vestminster, ‘cause she loved ‘tother side of the water, Her father caught rats—and she sold sprats all about and around that quarter, And the gentle folks all took off their hats to the putty little Rat. eatcher’s daughter, CHORUS,—Doodle dee, Doodle dum, Di dum doodle da. Now, rich and poor, both far and near, in matrimony sought her : But at triends and foes tarn’d up her nose, did the putty little Rat. catcher 8 daughter, For theré’ was a man, sold lily vite sand, in Cupid’s net had caught her, And right over head and ears in love vent the putty little, Rat. catcher’s daughter, fow lily vite sand-ran in her ead, as she went along Strand, oh, She forgot asshe’d got sprats on her ’ead and cried, D'ye you want - any lily vite sand, oh? dhe folks amaz’d all thought her craz’d, as she went along the Strand, oh, fo see a ‘pat with sprats on her ‘ead, cry, D’ye vant any lily vhite sand, oh’? ow Rat-catchers’s daughter so ran in his‘ead, he couldn't tell vat he vasarter, So, instead 6f erying, D’ye vant any sand? he cried, D’ye vant any Rat-catcher's, daughter ? His donkey cock'd his ears and laughed, and couldn’t think vat he.vas arter, [ Ven he heard his lady vite sandman ery, D’ye vant any Rat-catch- er's daughter ? They both agreed to married be upon next Easter Sunday, But Rat-catcher’s daughter, she hada dream that she wouldn’t Le alive on Monday She vent vonce more to buy some sprats, and she tumbled into the water And down ta the bottom, all kiver’d with mud, vent the putty little Rat-catcher’s daughter. Ven. Lilly vite sand ’e’eard the news, his eyes ran down with rater, Said *e, =! love I'll constant prove, and—blow meif I'll live long arter. So be cut ‘is throat with a pane of glass, and stabb'd ‘is donkey arter oe end of lily ‘vite sand, domkey, and the Rat-catcher'’s Cheer, Boys, Cheer. Cheer, boys, heer, no more of idle sorrow, Courage, true hearts shall bear tis on dur Way, Hope points before, and shows a bright to-motrow, Let us forget the darkness of to-day; Then farewell England, much as we may love thee, ~ We'll dry the tears that we have shed before ; We'll not weep to sail in search of fortune, Then farewell England, farewell evermore. CHORUS. Then cheer, boys, ¢heér for anne mother England, Cheer, boys, cheer for the willing strong right haud, Cheer boys, cheer, there’s wealth for honest labor, - Cheer, boys, cheer for the new and happy land. Cheer, boys, cheer, the steady breeze is blowing, To float us-freely'o’er the oceah’s breast, And the world shall follow in the track we're going; The star of empire glitters in the West, We've had a toil, and littre to reward it, But there shall-plenty smile upon our pain, And ours shall be the prairie and the forest, And boundless meadows ripe with golden grain. CHORUS; Then cheer, boys, cheer for England, mothér England, Cheer, boys, cheer, united heart and hand; - Cheer, boys, ¢héer, there's wealth ‘for honeat labor, Cheer, boys, cheer for thé new and happy land. Auld Lang Syne. Should auld acquaintance be forgot, And never brought to inind ? Should auld acquaintance be forgot, And days of Auld Lang Syne ? CHORUS. For Auld Lang Syne, my dear, For Auld Lang Syne ; . We'll take a cup of kindness yet, Fo~ Auld Lang Syne. We twa ha’e run about the braes, And pu’d the gowans fine ; But we’ve wander’d mony a weary foot, Sin Auld Lang Syne. For Au:d Lang Syne, &. We twa ha’e paid let i’ the burn, * Frae morning sun till dine ; But seas between us braid ha’e roar’d, Sin Auld Lang Syne. For Auld Lang Syne, &c. And there’s‘a hand my trusty feire, An’ gi’es a hand o’ thine ; ‘An’ we'll take a right gude willie waught, For Auld Lang Syne. For Auld Lang Syne, &&. And surely you'll be your pint stoup And surely I'll be mine; And we'll tak’a cup o’ kindness yet, Vor Auld Lang Syne. : “For Auld Lang Syne, &e. 17 Norah M’Shane. Cw ‘eft Ballymornach a long way behind me, ; 1; vetter my fortune [Ve crossed the big sea - @ut ‘m sadly alone, not a creature to mind me, Art faith ’m as wretched as wretched can be, 3 this k of the buttermilk, fresh as the daisy, The beautiful halls and the emerald plain, And, ah! don’t I oftentimes think myself crazy Abc at that black-eyed rogue, Norah M’sbane, I sigh for the turf-pile so cheerfully burning, When barefoot I trudged it from toiling aiar, When I tossed in the light the thirteen ['d been earning, ; And whistled the tune of “ Erin go Brah.” In truth, I believe that ['m half-broken hearted, To my country and love I must go back again For I’ve never been happy at all since I parted From sweet Ballymornach and Norah M’Shane. Oh! there’s something so dear in the cot | was born in, Tho’ the walls are but mud and the roof is but thateh ; How familiar the grunt of the pigs in the morning,— What musi in lifting the rusty old latch! ’Tis true I’d no money, but then I'd no sorrow, My pockets were light, but my head had no pain; And if I but live till the sun shines to-morrow, I'll be off to dear Erin and Norah M'Shane. Angels’ Whisper. A baby was sleeping. Its mother was weeping, for ver husband was far o’er the wide raging sea, And the tempest was swelling,’ - Round the fisherman’s dwelling, 4#ud she cried, “ Dermot, darling, oh, come back te me!" Her beads while she numbered, The baby still slambered, And smiled in her face as she bended her knee; “Oh! bless’d be that warning, My child thy sleep adorning, Vor I know that the angela are whispering to thea, 18 “ And while they are keeping Bright watch o’er thy sleeping, Oh, pray to them safely, my babe with me, And say thou would st rather . They’d watch o’er tny father, ¥or I know that the angels are whispering to thee,” The dawn of the morning Saw Dermont returning, And the wife wept with joy the babe’s father to see, And closely caressing The child, with a Sie ntl Said, “1 ue a teed In the Days when I was Hiard Up. 5 ae In the Gays when I was hard up, not many years ago, . I suffered that which only can the sons of misery know; Relations, friends, companions, they all turned up their nose, And they rated me a vagabond for want of better clothes, In the days when I was hard up, for want of food and fire, I used to tie my shoes up with little bits of wire ; When hungry, cold, cast on a rock, and could not get a meal, How oft I’ve beat the devil down for tempting me to steal. In the days when I was hard up, for furniture and, drugs, Many asummer’s night I’ve held communion with the bugs; I never faced them with a pike, or smashed them on the wall, 1said the world was wide enough, there’s room enough for all, In the days when I was hard up, I used to lock my door, For fear the landlady should say you can’t lodge here no more. From my own back drawing-room, about ten feet by six, In the work-house wall just opposite, P've counted all the bricks. In the days when I was hard up, I bowed my spirits down, And often have I sought a friend to borrow half-a-crown ; How many are there in this world whose evils I can sean, The shabby suit of toggery, but can not see the man. In the days when I was hard up, I found a‘blissful hope, it’s all a poor man’s heritage to keep him from the rope; Now I’ve found a good old maxim, and this shall he my plan. 7 F Adtho’ I wear a ragged coat, I'll wear it like a man ‘The Musical Wife. , How I wish that my wife would not practice all day, My head it is ready to split, It snows, so I can not get out of her way, But at home all the morning must sit. How little I thought, when I first heard her sing, And hung o’er her harp with delight, The sorrows a musical partner might bring, Who would practice from morning till night. Oh! beware ye young men of a musical wife, For Eliza’s fine voice is the plague of my life! “Eliza, my love, I’ve a letter to write Pray cease for a moment, my dear,” “ Good heavens!” she cries, ‘‘ you forget that to-night Ned Seguin and Frazer ’Il be here: Anguera has promis’d to bring his Guitar, Rametti will play on the Flute, So I’m trying a second to ‘Young Lochinvar,’ Which Miss Stone will perform on her Lute!” Oh! beware, young men, of a musical wife, For Eliza’s fine voice is the plague of my life! Last week, in the Senate, on Tuesday’s debate, We never divided till three, When, tir’d and exhausted, I hurried home late, How I long’d for a cup of green tea: But, alas, neither tea nor repose could I get, ? For Keyser, and Lange, were there, And my wife was performing a fav’rite quartetie, So J went to the Club in despair, Oh! beware, young men, of a musical wife, © For Eliza’s fine voice is the plague of my lifel WS An office was vacant—the postmaster gave, The place to my brother through me, I was out—so the messenger carried his note To Eliza—whilst singing a glee. But, surrounded, alas! by her musical choir My wife could not think of my brother; So the luckless appointment was toss’d in the fire, And the office—was given to another, Oh! beware, young men, of a musical wife, For Eliza’s fine voice is the plague of my life! Yet they tell me, alas! that I ought, to be blest, In a wife with so perfect an ear— Deaf husbands !—Oh, knew ye the blessings of ress, Ye would ne’er be so anxious to hear! I, alas! have discover’d my folly too late— Take warning by me whilst. you can— When you hear a fine voice—Oh! remember my fate3 I’m a wretched—tnfortunate man! Oh! beware, young men, of a musical wife, For Eliza’s fine voie is the plague of my life! Sambo, I have Missed You. Oh, Sambo, is it you, dear, come down to see me now? I heard you in the barn-yard hollering at the cow; The pigs were squealing loudly, and the rusters they did crow, For they knew that welcome-foodtstep*of Dinah’s lovely beau; But the rusters stopp’d their crowing, and: the pigs couldn’é squeal, When at the feet of Dina this bewitching Sam did kneel. Your voice was like the night owl, sitting on the the tree, The echoes of that lovely voice were like the bumble bee, Making music on my ear, like sticks on a drum; Oh, Sambo, I have miss’d you, I thought you’d never come; But my heart rejoiced once’t more, when I heard you again, Ob, Sambo, I loved you, but I fear it is in vain, Oh, Dina, IT have wrong’d you, I know I have proved unkin® But now we've come together, love, we'll just make up our mind ; I have thought of you in the field, when hoeing up the corn, And often I have wish’d, love,.that I was never born ; _ But the day.is pass’d now, love, I-know that it is gone, Te-merrew we will go te church, and there beseme one, The "Tail iv Me Coat. T larned me reading an’ writing, At Ballyragget where I wint to school, Twas there I first took to fighting, With the schoolmaster Misther O'Toole ; He-andI there had many a scrimmage, The divil a copy I wrote, But not a gossoon in the village, Dare thread on the tail iv-me coat T an illigant hand was at courting, For lessons I took in the’ art, Till Cupid, that blaggard, while sporting, A big arrow sint smack through me heart; Miss 0’Connor, I lived straight fornnist her, And tindher lines to her I wrote, Who dare-say ‘a black word against her, Why I'd thread on the tail iv his coat. A bog-trotter wan, Mickey Mulvany, He tried for to coax.her away; He had money an’ I-hadn't any, So a challenge I sint him wan day; Next morning we met at Killhealy, The Shannon we cross’d in a boat, There I'lather’d him with me shillely, For-he trod on the tail iv me coat. Me fame spread through the nation, Folks flock for to gaze upon me, All cry out without hesitation, ' Och, yer a fightin’ man, Mickey Magee ¥ { fought with the Finegan faction, We bateall the Murphies afloat, }f inclined for a row-or a ruction, Why, Td tread‘on the tail of their epat, The Ivy Green. Ohtf a dainty plant is the ivy green, That. creepeth o’er the ruins old; Of right choice food are his meals I ween, In his cell so lonely and cold. The wall must be crumbled, the stone decay’d To please his dainty whim; And the mouldering dust that years have made, Is a merry meal for him. Creeping where no life is seen, A rare old plant is the ivy green. Fast he stealeth on, though he wears no wings, . | Anda staunch old head hath he ; How closely he twineth—how tightly he clings To his triend, the huge oak tree! And slily he,traileth along the ground, And his leaves he gently waves, As he joyously hugs, and crawleth round The rich mould of dead men’s graves. Creeping where grim death hath been, A rare old plant is the ivy green. Whole ages have fled, and works decay’d, And nations have scatter’d been; But the stout old ivy shall never fade From its hale and hearty green, The brave old plant in its lonely days Shall fatten on the past ; For the stateliest building man can raise, Is the ivy’s food at last. Creeping where grim death hath A rare old plant is the ivy green, Kxind Relations. Soe We all have our share of the ups and the downs, Whatever our rank or station; And he’s sure to get the most scoffs and frowns, Who depends on his kind relations ; For it’s all very well once or twice to drop in, To ask for a trifling favor, But on the third time they are sure to begin, To construe it to bad behaviour. There’s your relations! kind relations! There’s your kind relations! I speak from experience, and you'll find, Though often they invite you, When poverty comes close behind, How quick then they'll slight’ you. For it’s—‘ Clear the way—there’s a knock at the door: Say we’re gone out for a ride, John— I know who it is—it’s that hungry bore; Don’t open the door too wide, John.” My goods were one day seized for rent— The broker took his station ; Pale and trembling, off I went To try each kind relation. Some hemm’d, some ha’d, and some looked cool, With faces of grief and sorrow; My twin-brother said he had made it a rule Never to lend or borrow. { thought in my sister to find a friend, But soon she undeceived me, *y saying—‘ These are not times too lend, I would, if I could, relieve thee.” *A trifle, dear sister, would keep me afloat, I shall sink if you do not arrange it.” whe said she’d not less than a twenty-pound note And she couldn’t find time to change it. : 4 / T lust my goods, but found that day— (Though ’gainst me they bad sinned all)—: Death summoneé a rich old friend away, Who left me a tidy windfall. And then how they altered from what they'd just said, Their cant, it was really provoking, . To hear them exclaim, as each hung down his head, “Lord! Tom, we were only a joking.” Now, who in the world so blest as me, With so many kind relations ? Tam asked to dinner, to supper, to tea, I’ve a hundred invitations! But their crawling presents I daily return, Their kindness to me they may scant it, For I hate those cold:hearts that would poverty scorn, And give to those who don’t want it. Och! Paddy, is it Yerself? Och, Pat, is it yerself indade, safe agin to home? Sure, Bridget told a lie! faith, she said you wouldn’t come, I heerd yerself a’ coming, and it made my dander rise, Dade [ knowed yer drunken footstep and yer rummy voice. ‘Twas sorrow to ny ears in the avenin’s awful gloom— Och, Paddy, sure, tell me now, where did you get yer rum? We’s afraid yer would come nightly, but this night of all, We let the fire go out, ’cause we’s going to the ball, The childers wud set up till nine o’clock and past, Till they wud say they knowed that. their papa was lost, An’ they hoped yer wud be sober when yer did get home, Och, Patrick, tell me truly, where did you get yer rum? The days were glad without you, the nights were spent in revel, And now you Fave come home, Pat, you drunken divil; Last night I sung and danced by the moon’s gentle ray, Till I thought I heerd yer voice, when J stopped right away ; But I soon resumed my sport when I found you had net coma @eh, Pat, yer drunken rowdy, why did yer come home? 60 ae ee The Gambler’s Wife. Dark-is the night! how dark ! no light—no fire! Cold, on the hearth, the last faint sparks expire; Shivering, she watches by the cradle side, For him who pledged his love—last year a bride! Hark! ’tis his footstep !—No: ’tis past—’tis gone! Tic! tic !—how wearily the time rolls on, . - Why should he leave me thus? he once was kind, And I believed ’twould last,—oh, how mad, how blind! Rest thee, my babe, rest on,—’tis hunger’s ery ! Sleep : for there is no food: the fount is dry! Famine and cold their wearing work have done; My heart must break—and thou, my child!— Hush |}. the clock strikes one! : Hush! ’tis the dice-box—yes! he’s there—he’s there ! For this he leaves me to despair ; Leaves love—leaves truth—his wife—his child—for what? The gambler’s fancied bliss—the gambler’s horrid lot! Yet I’'H not curse him,—no: ’tis all in vain ; ’Tis long to wait, but sure he’ll come again ; And I could starve and bless him, but my child, for you~ Oh, fiend! oh; fiend !—Hush! the clock strikes two ! Hark, how the sign-board creaks,—the blast howls by; Moan, moan, ye winds, through the cloudy sky. Ha! ’tis his knoek! he comes, he comes once more ; No, ’tis but the lattice-flaps—my hope, my hope is o’er! Can he desert us thus? he knows I stay Night, after night, in loneliness to pray, For his return, and yet he sees no tear; No, no, it can not be, oh! he will be here; Nestle more closely, dear one, to my heart ; Thou art cold—thou art freezing !—but we will not part ! Husband ! I die !—Father! it is no* he; Oh, God, protect my child !—Hush ! the clock strikes three! They’re gone,—the glimmering spark hath fled! The wife and child are number’d with the dead; On the cold earth, outstretch’d in solemn rest, The babe lies frozen on its mother’s breast ; The gambler comes at last, but all is o’er,— Dread silence reigns around,—the Clock strikes four! 4 The Ocean Burial. a ee “Oh, bury me not in the deep, deep sea,” The words came low and mournfully, From the pallid lips of a youth who lay. On his cabin couch at the close of day; He had wasted and pined till o’er his brow Death’s shade had slowly pass’d, and now Where the lan- and his fond loved home were nigh, They had gather’d around him to see him die. “Oh, bury me not in the deep, deep sea, Where the billowing shroud will swell o’er me; Where no light will break through the dark cold Wave, And no sunbeam rest upon my grave ; It matters not, I have often been told Where the body shall lie when the heart is cold, Yet grant, oh, grant this boon to me, Oh, bury me not in the deep, deep sea. “For in fancy I’ve listen'd to the well-known words, The free wild winds and the songs of the birds; ( have thought of home, of cot, and of bower, And of scenes that I1oved in childhood’s hour, I had ever hoped to be laid, when I died, in the churchyard there on the green hill-side, By the hemes of my father my grave should be,— Oh, bury me not in the deep, deep sea, “Let my déath slumbers be where » mother’s prayer, And a sister’s tear shall be mingled there ; It will bé sweet ere the heart’s gentle throb is o’er, T know when ‘ts fountain shall gush no more, That those it so fondly hath yearn’d for will come To plant the first wild flower 0: spring on my tomb ; Let m« lie where those loved ones will weep over me,—- Oh, bury me not in the deep, deep sea. And there is another whose tears would be shed For him who lay far in ‘an ocean bed; Jn hours that it pains me to think of now, | She hath twined those locks and hath kiss’d this brow 62 In th: hair she hath wreathed shall the sea serpent hiss, And the brow she-hath press’d shall the cold-wave kiss! For the sake of that bright one, that waiteth for me, Oh, bury me not in the deep, deep sea. * She hath been in my dreams”—His voice failed thera, They gave no heed to his dying prayer ; They have lower’d him low o’er the vessel side, Above him has closed the dark cold tide Where to dip the light wings the sea-bird rests, And the blue waves dance o’er the ocean crest, Where the billow: bound and the winds sport free, They have buried him there in the deep. deep sea. Tho Minute Gun at Sea... ~ Get him who sighs in sadness hear, Rejoice to know a friend is near! What heavenly sounds are those I hear? What being comes.the gloom to cheer? When in the storm on Columbia’s coast, The night-watch guards his weary post, From thoughts of danger free! To mark some vessel’s dusk) form, ~ And hears amid the howling storm, The minute gun at sea}! Swift on the shore a hardy few, The life-boat man with a gallant crew, And dare the dangerous wave! Through the wild surf they cleave their way, Lost in the foam nor know dismay, For they go the crew to save, But oh! what rapture fills each breast, Of the hapless crew ot the ship distress’d, When landed safe what joys to tell, Of all the dangers that befell; Then is heard no more By the watch on the shore, The minute gun at sea, Khe Irish Emigrant’s Lament. — a ee I'm sitting on the style, Mary, Where we sat side by side, On a bright May morning long ago, ~ When first you were my bride. The corn was springing fresh and green, : And the lark sang loud and high, ; And the red was on thy lip, Mary, L And the love-light in thine eye. The place is little changed Mary The day is bright as then; The lark’s loud song is in my ear, And the corn is green again! But I miss the soft clasp of your land, And your warm breath on my cheek, And £ still keep listening for the words You never more may speak. "Tis but a step down yonder lane, And the little church stands near, The church where we were wed, Mary ; I see the spire from here But the graveyard lies between, Mary, And my step might break your rest; Yor I’ve laid you, darling, down to sleep, With your baby on your breast. i'm very lonely now, Mary, For the poor wake no new friends; But 0, they love them better far, The few our Father sends! And yuu -were all I had, Mary, My blessing and my pride ; There’s nothing left to care for new, Since my poor Mary died. ae —=— - . ~— a ——oe Seen none ama Yours was the brave, good heart, Mary, That still kept hoping on, When, the trust in God had left.my soul, And my arm’s young strength had gone; There was comfort ever on your lip, And the kind look on your brow: T bless you for that same, Mary, Though you can’t hear me now, I thank you for that smile; Mary, When your heart was fit to break; When the hunger pain was gnawing there, And you hid it, for my sake; I bless you for the pleasant word, When your heart was sad and sore; O, I’m thankful you are gone, Mary, Where grief can’t reach you more, I'm bidding you a long farewell, My Mary, kind and true, But I'll not forget you, darling, In the land I’m going to ; They say there’s bread and work for all, And the sun shines always there, But [Hl not forget old Ireland, Were it fifty times as fair. And often in those grand old woods, Pll sit and shut my eyes, And my. heart will travel back again Yo the place where Mary lies: And I'll think I see the 1ittle stile, Where we sat side by side, And the springing corn. and the bright May morn, When first you were my bride, BEADLE’S Dime Dialogues No. 19, Comprising New_and Original Dialogues, Colloquies, Minor Dramas, and Dress Pieces. Comic and Broadly Humorous, For Schools, Exhibitions, Homes, etc. Serious, Serio- Arranged for Stage, Platform and Parlor, with the adjuncts of Scenery, ** Furniture,’’Costumes, etc., etc., simpli- fied to any situation, An Awful Mystery. For two fe- males and two males. Contentment. For two little girls. Who Are the Saints? For three young girls. The California Uncle. For three males and three females. Be Kind to the Poor. A little folks’ lay. How Fedpie Are Insured. A “ duet.’ Mayor. Acting charade. For four characters. The Smoke Fiend. Forfour boys. A Kindergarten Dialogue. For a Christmas Festival. Personated by seven children, ‘he Use of Study. For three girls. The Refined Simpletons. For four ladies. 100 12mo pages. Remember Benson. For three males, Modern Education. For males and one female, Mad With Too Much Lore, three males. The Fairy’s Warning. Dress Piece and Tableau. For two little girls. Aunt Eunice’s Experiment. For numerous characters—chiefly fe- males, The Mysterious G, G. males and one male, We’ll Have to Mortgage the Farm. For one male and two females, An Old-fashioned Duet. The Auction, For numerous char- acters, three For For two fe- DIME SERIO-COMIC SPEAKER No. 19. The American Phalanx, The Same, The Old Canoe, Room at the Top, New England Weather, Bluggs, Leedle Yawcob Strauss, A Fable, The Tramp’s Views, Moral Littleness, Yawcob Hoffeltegobblegunst’s Trea- son, The Setting Sachem, The Street Arab’s Sermon, Address to Young Ladies, A Little Big Man, The Test of Friendship, The Price of Pleasure, Sour Grapes, The Unwritten ‘Claws’? of the Constitution, The Ager, Fish, Judge Not Thy Brother, The Dog St. Bernard, The Liberal Candidate, A Bev’s Opinion of Hens, The Good Alone are Great, The Great Napoleon, The Two Lives, The Present Age, At Midnight, Good-night, Truth The Funny Man, The Little Orator. Parody, Pompey Squash on Independence, Mr. Lo. According to New Version, The Midnight Express, Morality’s Worst Enemy, The Silent Teacher, The Working People, The Moneyless Man, Strike Through the Knot! An Agricultural Address, The New Scriptures, The Trombone, Don’t Despond, The Mill Cannot Grind with the wa- ter that’s Past, What Became of a Lie, Now and Then, How Ub Vos Dot for High, Early Rising. A Sad Man’s Views, A Smart Boy’s Opinion, The Venomous Worm, Corns, Up Early, Not So Easy, The Dead Beat in Politice, War and Dueling, Horses.